
“Instructors are well-experienced and can speak from tremendous amounts of real-world experience. They are also very passionate - not just about music and working in the industry, but they are passionate about teaching and getting the students the best learning experience possible. This makes a big difference in how successful the course is for the students… We were also able to get a lot of detailed and hands-on work - which was great!”
Alan G
We'll do our best to get you into a future cycle of your choice so you can catch up.
36 hours, available in-person or via online remote attendance.
No - it's not essential if you use Pro Tools, Logic or Ableton, though we recommend it. Garnish learners get a 50% discount if they want to buy it.
No more than 8 people.
Yes - there's a full introduction to mastering, including A/B'ing, brick wall limiting, and the best metering tools.
Yes - a Garnish certificate of completion on finishing the course.
36 Hours | In-Person: $28,800 | Online Remote Attendance: $5,999
A mix is not a set of static positions. Fader rides, send moves, section steps and the four automation modes - plus the override that catches everyone.
Read →How to EQ Vocals Katie Gilchrest's guidelines on how to EQ vocals. For most styles of music, vocals are one of the most important parts of the mix. Poorly EQd vocals can cause detriment and distraction to an otherwise great song. Equalization using a parametric EQ is a tool that can allow vocals to
Read →Subgrouping a mix, using reference tracks properly, and keeping your monitoring level honest over a long session.
Read →Audio Interfaces An audio interface is a piece of hardware that connects musical instruments, microphones, and other sound sources to a computer. The audio interface acts as a bridge between the analog audio signals from the instruments and the digital signals that the computer can understand and pr
Read →We have discussed the most common modulation effects such as chorus, flanging and phasing. Now it is time to investigate other modulation effects.
Read →From tape echoes to ping-pong delays: the parameters, how to match delay time to tempo, and using delay as a real mixing tool.
Read →