
If you miss a session and you'd like to catch it up, or you'd just like to come back and repeat some or all of your course, you can do free of charge on the cycle of your choice as long as we can fit you in!
In Hong Kong the Hit Songwriting Course runs in small groups with industry-active instructors, taught in English, at our studio or live online in the same session, using our specialist music collaboration software, Muse. Students join us from across the region.
36 Hours | In-Person: $28,800 | Online Remote Attendance: $5,999
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“My songs that were already finished were improved significantly, when I didn't think there was much room to improve. My writing ability and originality also increased. Casey is patient, but also honest, and it's exactly what I needed to get my music to another level. She was always open to hear original songs and give feedback, and was very good with answering questions even if they were asked more than once. If I could take the course myself again I totally would.”
Evan Frazer
Pitching, publishing and PR, understanding royalties and publishing deals and splits, and how to brand and market yourself and your music.
Both - "Writing Top Line" and "In-depth Melody and Harmony" cover craft, while "The Business End" covers pitching and the industry.
36 hours, available in-person or via online remote attendance.
You can catch it up free of charge on a future cycle of the course, or repeat parts of it if you want to.
Yes - the course focuses on the specific concepts other sources tend to leave out, aimed at bringing out the hit songwriter in you rather than just repeating general theory.
36 Hours | In-Person: $28,800 | Online Remote Attendance: $5,999
A music production college once asked me to teach music theory and composition - chord progressions, keys and scales, from the ground up.
Read →How words and music fit together - stressed syllables on strong beats, vowel choice for long notes, what each section of a song does lyrically, and how to set a lyric to a melody.
Read →Intro, verse, pre-chorus, chorus, bridge and outro - why so many songs share the same shapes, how energy rises and falls across a track, and how to map a reference song.
Read →Music theory practice, part two: major, minor and extended chords on the keyboard, and how to voice them.
Read →Prosody in depth - making the music say what the words say. Stress and beat, melodic emphasis, word painting, harmonic and rhythmic support, and deliberate contradiction.
Read →Turning feelings into pictures - sensory detail across sight, sound, touch, taste and smell, concrete versus abstract language, and building a scene the listener can step into.
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