
“It was great and totally hands-on. I understood exactly what I needed, and the instructor was patient, quick, totally sorted out my computer as well. I like that I was able to use the time I had in LA to learn something I have been wanting to for a while. When I started my conversation with admissions, I was quite confused, but he sorted me out. I think for someone who might be trying to make their mind up, the guidance provided by the school could be very helpful in planning their moves!”
Anushka Manchanda
The length is in the glance strip at the top of this page, and the tuition for this campus - with the registration fee and any early-booking rate - sits just above the call to action.
Yes - ask admissions about private instruction and we will pair you with a specialist in this subject.
Planning first - location scouting, scripting and storyboarding - then the camera: sensor size, the exposure triangle, shutter speed and frame rates, codecs and bit rates, aperture, focal length, primes against zooms, and filters.
Bring what you have; the principles are the same on any camera, and the course is about getting the shot right rather than owning a particular body.
Artists who need their own video, and anyone behind a camera for the first time who wants footage that is right in camera rather than fixed in the edit.
Yes. Sessions run in person at this campus and live online at the same time, so you join whichever suits you.
What separates a phaser from a flanger, the parameters that matter on each, and how to use them without wrecking your mix.
Read →Equalization is the process by which an equalizer is used to either boost or cut different frequencies in an audio signal in order to change its tonal…
Read →A mix is not a set of static positions. Fader rides, send moves, section steps and the four automation modes - plus the override that catches everyone.
Read →What a vocoder actually does, the difference between carrier and modulator, how filter bands work, and how to sit one in a mix.
Read →There are many ways to access the power of filtering, but probably the easiest is to use a plug-in. Logic’s AutoFilter is a good example of Emagic’s…
Read →Beyond chorus and phasing: ring modulators, frequency shifters, Leslie cabinet simulation and auto-panners, and where each one belongs.
Read →