
KINETIC METAL is an inspiring, highly-playable instrument of unconventional sources for ethereal textures and tonal percussion part of Native Instrument´s infamous sampler Kontakt 5.
Read →Dance Music Production - Creative vs. Technical by Steve Powell What does it take to make a record in terms of equipment? A four track? A Mac Pro? An SSL4000E? What people use and how they use is of course crucial to the quality and type of dance music production that’s made. The equipment heavily d
Read →We can all agree that MUSIC and how it sounds & makes us feel is the most important thing that we do as Producers/Composers/Beatmakers, etc. Now, when you think of the phrase “Music Production”, you can’t really help but think about the second word “PRODUCTION”, which is derived from the latin word “producere” (which means to bring forth). With regards to “Music Production”, we are really referring to the overall sound of a musical recording but we are also referring to how it is actually created and formulated.
Read →Our Logic Pro classes differ from most Logic classes you see in London; not only do you learn how to use Logic Pro 9, but you also learn how to make a record from instructors including Larry Holcome who is an Apple Logic certified trainer and also makes records at the very top level. In our Logic Pr
Read →RRRAT-A-TAT-TAT-TAT! - Machine Gun Hi-Hats by Chris George There’s no escaping the ever-evolving trends in music and music production especially in electronic music these days. Just in recent times we’ve seen trends go from bass to subs to midrange synths back to bass synths using LFOs and distortio
Read →Sampling Frequencies & Bit Rates: 96 v 44.1Khz & 24 v 16bit by Stephen Powell I had a conversation recently with a guy who described himself as a “glitch-dubstep-lo-fi composer” He went on to describe a couple of his tracks which turned out to be pretty much what you might expect from such a descrip
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