“It was really useful to fully understand the principles after all this time. I highly recommend Garnish”
Mark Jenkyns
Whilst sitting reading the latest music news in Garnish HQ, it became more and more apparent what a special year 1994 was for British dance music. With so many clubs, labels and promotions celebrating 20 years in the game during 2014, it’s pretty obvious that something special was stirring in the wa
Read →Sampling Frequencies & Bit Rates: 96 v 44.1Khz & 24 v 16bit by Stephen Powell I had a conversation recently with a guy who described himself as a “glitch-dubstep-lo-fi composer” He went on to describe a couple of his tracks which turned out to be pretty much what you might expect from such a descrip
Read →Rebel Sonix's Larry Holcombe on the basics of dubstep production - where the wobble bass comes from, and how to build one in Massive or the ES2.
Read →When I very first started in the early-nineties, we all used Atari STs with a whole 512k of Ram for sequencing MIDI and not much else. All the audio was dealt with using 24 track 2" tape, with up to 3 slaved together synchronised using lynx synchronisers. Back then for sampling, we had the classic A
Read →Mixing Music with Creative FX | Mixing Desk by Mr Steve Powell The signal chain is something always at work whether you’re in the studio, playing around with beats on the computer at home or playing a synthesiser live at a gig. If you are purely a performer, your worry with the signal chain ends whe
Read →We love an alumni success story, and Damien O'Reilly aka Dorbachov shares his accelerated journey from complete novice on our beginners Logic course just last year to professional producer and remixer this year! "I started my journey into production a little over a year ago. Having toyed with the id
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